Michele Rosewoman
Pianist, Composer, Bandleader, Educator
Pianist, Composer, Bandleader, Educator
“Rosewoman’s piano playing draws equally from the bluesy drama of Randy Weston and the ardent yet grounded freedom of Cecil Taylor…(her) music unites players with distinct personalities into a communal voice, much in the mold of Mingus or Ellington, even as she adheres to Afro Cuban traditions. It sounds bold, swinging ceremonial and formal-all at once, in many cases. The music had both stylistic swagger and spiritual heft. “
– Larry Blumenfeld, JAZZIZ
Michele Rosewoman and New Yor-Uba
"Hallowed"
The name “New Yor-Uba” pays homage to the dynamic musical journey of ancient Yoruba culture from Nigeria, through Cuba to present day New York, reflecting its contemporary manifestations. A Chamber Music America New Jazz Works Commission for her long-standing New Yor-Uba ensemble (1983 debut) supported the development of a new work; “Oru de Oro” is a rhythmic suite anchored to a sacred sequence of rhythms known as the Oru Igbodu, where 23 Orishas (deities) are endowed with Rosewoman’s distinctive musical content while displaying and integrating the mastery of featured soloists and master drummers. Featuring master folkorist / percussionist Roman Diaz, a foundational member of the ensemble since 2008, “Oru de Oro'” was recorded along with other new repertoire and “Hallowed” was released on Rosewoman’s label (Advance Dance Disques) to stellar reviews and chosen #3 NPR Latin Jazz Recording of the Year.
Reviews for 'Hallowed'
"...one of the most impressive and innovative of [modern] jazz artists. She is both an engaging composer and a challenging pianist."
— BILLBOARD